Análisis semántico de color, luz y transparencia en la arquitectura islámica de Irán

Autores/as

  • Behnam Sarbakhshian Academic staff of Department of Art and Craft, Faculty of Art, University of Bojnord, North khorasan, Iran.

DOI:

https://doi.org/10.15649/2346075X.763

Palabras clave:

Islamic Architecture, Color, Light, Transparency

Resumen

The subject of color, including single colors or compounds like Haft Rang (seven colors), which conveys the psychological effects
and mystical interpretation of color, has a palpable presence in the realm of arts, especially in architecture. On the other hand,
light as the most immaterial element of nature has always been present in Iranian architecture. In fact, it symbolizes transcendental
world and spiritual realm. In traditional Iranian architecture, the conceptualization of light flourished under the influence of Islamic
thought, and came to be known as the manifestation of sanctity and the spiritual world. This paper is an applied research, with an
analytical approach that seeks to conduct a semantic analysis of color, light and transparency in the Islamic architecture of Iran.
The data was collected using the library research. Also, some illustrations of colors and light in Islamic architecture of Iran were
photographed and recorded in a field study. The analysis shows that Iranian architects have employed these factors in order to plead
to the observer’s sense of beauty by forging a close association between light and color in architecture. Diversity of colors, which
is rooted in divine wisdom, gives an appreciation of the beauty and dimensions to human beings. Moreover, the results suggest that the
Iranian architects have not been concerned with phenomenal clarity to create complexity, attractiveness, and spatial diversity, which are
primarily architectural aspects, but rather have focused on cultural objectives and excellence of human beings.

Biografía del autor/a

Behnam Sarbakhshian, Academic staff of Department of Art and Craft, Faculty of Art, University of Bojnord, North khorasan, Iran.

Academic staff of Department of Art and Craft, Faculty of Art, University of Bojnord, North khorasan, Iran.

Referencias

Corben, Henry, (2001). The Illuminated Man in Iranian Sufism, Translated by Faramarz Javaherinia, Vol. I, Golban.

Afshar, Iraj, (1999), Color Types in Persian Language, Linguistics Journal, 14 (1 & 2).

Mansoori, Mehrzad, (1996), Study of the color terms in Farsi language, Journal of Linguistics, 13 (1&2)

Ghazaei, Muhammad, (1997), Sensory perception from the viewpoint of Ibn Sina, Printing Islamic Propagation Office of the Qom Seminary.

Sharif Mahallati, Moayed, (1958), Seven in the world culture, Shiraz.

Ahmadi Maleki, Rahman, (1999), Colored Figures in Haft Peykar. Fiction Literature Quarterly, 8 (52).

Ibn Rastah, Ahmad, (1986), Al-Alaq Al-Anfiseh, Translated by Hossein Gharchanlou, Amir Kabir Publications.

Sajjadi, Mohammad Ali, (1990), Righteous cloak and cloak of Sufism. (First Edition) Elmi Farhangi Publication

Qiyabkelou, Zahra, (2012), Basics of building pPhysics 3, Electrical Lighting, Amir Kabir University of Technology, Jahad Daneshgahi Publication, First Edition.

Forty, A. (2004). Transparency, The disconnecting concept in architecture, words and buildings. London: Thaes & Hudson ltd.

Dehkhoda, Mohammad Taghi, (2007), Dehkhoda Dictionary, Tehran, University of Tehran.

Giedion, Sigfroud. (1962). Space, time, and architecture. Cambridge Press.

Suhrawardi, Sheikh Shahabodin Yahya, (1998), Hikma al-Ashraq, Translated by Seyed Jafar Sajjadi, Tehran University Press, Tehran.

Mirmiran, Syedadi, (1998), Transition from material to spirit, Architecture and Urbanization, No. 42: 100-94.

Ascher barnstone, D. (2003). Transparency: a brief introduction. Journal of Architectural Education 56

Tabatabai, Zahra and Zahra Abbasi, (2016), Semantic analysis of visual effects of light in the interaction between Khalidah's wisdom and Iranian architecture and urbanism, Journal of Urban Management, No. 42, 106-87.

Haeri Mazandarani, Mohammad Reza, (2009) The role of space in Iranian architecture, Tehran: Office of Cultural Research.

Ardalan, Nader and Laleh Bakhtiar, (2012), Sense of harmony (the role of tradition in Persian Architecture), translated by Hamid Shahrokh. Isfahan: Khak.

Styrene, Henry, (1998), Isfahan, the image of Paradise, translated by Jamshid Arjomand. Tehran: Farzane Rouz Publication.

Burckhardt, Titus, (1990) Holy art, principles and methods, translated by Jalal Sattari. Tehran: Soroush.

Revista Innovaciencia Facultad de Ciencias Exactas, Físicas y Naturales

Descargas

Publicado

2019-10-25

Cómo citar

Sarbakhshian, B. . (2019). Análisis semántico de color, luz y transparencia en la arquitectura islámica de Irán. Innovaciencia, 7(2). https://doi.org/10.15649/2346075X.763

Número

Sección

Artículo de investigación científica y tecnológica

Altmetrics

Descargas

Los datos de descargas todavía no están disponibles.